Soula Ela XanaAnne Murphy
A teacher on the Greek island of Spetses receives four offers of marriage on her 30th birthday.
This cheeky Greek pantomime style comedy is like fairy floss for the audience; pretty, sweet and insubstantial fare. The characters romp around in an overly theatrical style that is faintly amusing and only mildly entertaining. It's certainly no aphrodisiac, and from the misleading title to the predictable ending the on-screen antics fail to excite the viewer. As a cinematic experience you are left hoping there is something better than S.E.X.
The Young VictoriaAnne Murphy
A dramatization of the first years of Queen Victoria's rule, and her enduring romance with Prince Albert.
This film proceeds at a gentile and regal pace with sumptuous sets and lavish costuming as befits the era. It is to be enjoyed as a love story rather than for revealing any political machinations of the time. Romantic and majestic, "The Young Victoria" is restrained but entertaining, without indulging in any unnecessary frivolity of life at court. Perhaps a sequel with a middle-aged Victoria would deliver more intrigue and drama, or at least some hot flushes... a satisfying and elegant period piece.
Adam, a lonely man with Asperger's Syndrome, develops a relationship with his upstairs neighbour.
A somewhat eccentric addition to the romantic comedy genre, this utterly charming and insightful film deals with a condition not fully understood by most people. The title character is realistically and sensitively portrayed, while the female lead perfectly sustains him, in roles which will help raise public profile about the small yet significant segment of our society who suffers from Aspergers. This movie is a quirky, unassuming and tenderly realised story about a search for love and acceptance, something much more difficult for "Aspies" than most.
The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.
Visually impressive with sumptuous settings and costumes, this movie indulges with viewing pleasure. The characters are free of social mores in a gilded era. The central theme is love spanning a generational divide. A fading beauty contrasted with a beatified youth. Despite the setting and the situation, the pace is indolent, without the exuberance of emotional highs or troughs of despair. "Cheri" manages to be glorious, even if wistfully restrained.
Paper SoldierAnne Murphy
A Soviet medical officer is conflicted about his position overseeing the health of future cosmonauts.
Perhaps it was the Russian storytelling style, or the poor subtitles, but this film was mostly unintelligible; as inaccessible as the vast barren plains on which it was set. The problem may have been situational - something to do with the futility of training cosmonauts in a desolate sodden Kazakhstan campsite. Was that the point this surreal viewing experience, complete with camels, was making? If the space race was anything like this, it must have been incomprehensible and doomed for gloom.
The ProposalAnne Murphy
A pushy boss forces her young assistant to marry her in order to keep her Visa status in the U.S. and avoid deportation to Canada.
In the tradition of romantic comedies "The Proposal" is improbable and implausible and its salvation is that it is delightful from start to finish. A little formulaic perhaps, and that's easily forgiven as this movie delivers on charm and mirth. As the genre demands, the lovable characters are caught up in a silly situation but there's enough honesty in some very touching moments to connect and maintain audience empathy. A beguiling proposal, so say "I do...".
Two LoversAnne Murphy
A Brooklyn-set romantic drama about a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbour.
This is an impressive movie, with compelling portrayals of fragile, damaged personalities that draw the viewer into the vortex of their various relationship complexities. The film maker is a deft story teller, balancing hope with hopelessness while casting a compassionate eye over the foibles, the addictions and the all too human yearnings of the characters. Moody night time NYC landscapes are traversed as assuredly as the turmoils of the lovers. Love to love.
Set in the summer of 1987 and centered around a recent college grad who takes a nowhere job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
Despite its 'indy' pretensions, this story has more heart than its formulaic predecessors. Sure, it might follow your typical boy meets girl scenario, but it rises above the cliché with a cast who wonderfully capture the fun, frivolity and angst of the time. Although short on the laughs it may promise, it still makes you feel warm and fuzzy inside. Coupled with an awesome 80's soundtrack en-loop, "Adventureland" is a charming ride about growing up and finding love.
Quiet ChaosAnne Murphy
A look at the strange bereavement behavior of an Italian executive.
The portrayal of loss in this film evokes W.H. Auden's poem that opens with the line "Stop all the clocks...". Everything is changed and pared back to essentials by an unexpected death. The everyday world continues on around the slowing of the central characters, drawing empathetic viewers into this well told tale. The movie is a subdued but sure-footed meditation on grieving as lives and priorities are reassessed. More contemplative than chaotic, and recommended for its heartfelt quiet.
Ghosts of Girlfriends PastWendy Slevison
A bachelor is haunted by the ghosts of his past girlfriends at his younger brother's wedding.
Romantic comedy is a tricky genre. At the very least, an engaging and believable story is required for success, together with a convincing cast. This movie fails spectacularly on both these points, and is made worse by an unimaginative, hackneyed, and at times distasteful script. With insipid performances from all of the actors involved, in particular the one-dimensional male lead, there is just no redeeming this appalling waste of time and money. It really is as ghastly as the title suggests.
Samson and DelilahWendy Slevison
Samson and Delilah's world is an isolated community in the Central Australian desert. When tragedy strikes, they turn their backs on home and embark on a journey of survival.
"Samson and Delilah" is an exquisite film which offers an uncompromising yet intimate perspective on the complex problems that face our Indigenous population. Beautifully shot, with almost no dialogue, and featuring 14-year-old untrained actors in the lead roles, this is a poignant, raw, and brutally honest portrait of a race of people we judge so harshly and/or choose to ignore. It should be compulsory viewing for all Australians.
Cultural critic David Kepesh finds his life - which he indicates is a state of "emancipated manhood - thrown into tragic disarray by a student who awakens a sense of sexual possessiveness in her teacher.
This intelligent movie explores the often volatile and intertwined moralities of love, ageing and commitment. Most remarkable is the outstanding performance of the lead actor, whose character engagingly exposes some of the more confronting philosophical and psychological nuances of men. Apart from some unfortunate moments of predictable melodrama, "Elegy" remains a refreshingly provocative film, eloquent enough to be an elegy unto itself.
17 AgainCourtney Slevison
In 1989, Mike O'Donnell was the star of his high school basketball team. Now 20 years later, with his glory days behind him, a magical encounter gives him the chance to be 17 again.
In a familiar body-swap genre, this movie shines with charm and good-humour. The film is led by the brilliant casting of the main character, with a great supporting cast. While clearly aimed at teenage girls, "17 Again" will reach a broader audience due to its big heart and great comedic moments. The perfect film for undemanding, feel-good fun.
Easy VirtueAnne Murphy
An Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched stuffiness out the window.
Set on a magnificent English country estate just after the First World War, this archetypal comedy of manners counterbalances predictable stereotypes with effervescent dialogue, and the result is captivating. Battle lines are drawn up and spirited repartee is fired between the pretentious and the sassy. The movie's salacious undertone is irresistible, particularly as the niceties don't mask the loathing. Virtue versus vice, and vice versa.
Confessions of a ShopaholicWendy Slevison
A college graduate lands a job as a financial journalist in New York City to support her shopping addiction, and falls for a wealthy entrepreneur.
This is a movie that does not take itself too seriously. Equate it to eating fairy floss, and you will not be disappointed. It is fun, flighty and a visual feast for fashionistas. The leading lady makes a very cute clothes-horse, and handles the amusing script splendidly. Having a laugh whilst we are in the middle of a recession is nothing to feel guilty about. So, relax and enjoy - no confession necessary.